Editor’s Note
This is not a journal.
It is a continuation of the journey.

Portrait • Editor
In one line
Beauty is not perfection — it is posture, even when it’s hard.
Ihave always been surrounded by beautiful women. Not glossy beauty, but real beauty — strong, confident, alive. As a child I watched them like I was standing behind the curtain. My mother was a professional director and ran a modeling agency. For some, it was simply work. For me, it was a whole world: runways, fittings, music, the tension before a step onto the light — and that particular feeling when an idea turns into an image.
I grew up among women who knew their value, held their posture, and didn’t fear being seen. That’s where my understanding of beauty was formed — as power, not shape. Over time, admiration turned into a clearer desire: to be part of this world. Fashion stopped being only aesthetics. It became a language — a way to speak about character, femininity, vulnerability, and courage.
“If you want to be noticed, you have to be visible — and do your work well.”
— Editor’s note
Starting again, in another country
My path wasn’t inherited. I had to build everything myself — learn, try, make mistakes, fall out of rhythm, and return. One of the most intense points was moving to a different country. I came to Helsinki with a small child — to build a family, with the feeling that a new life could be possible. Migration removes illusions quickly. In a new country you start from zero: no status, no connections, no reputation. Very soon you understand: you can rely only on yourself.
When the relationship ended, responsibility remained — for my child and my own life. It wasn’t easy. But that is where adult clarity appears: you either stop, or you begin again.
Work, discipline, and respect
Like many, my first job in Finland was cleaning. I feel no shame in that. It was an honest stage — work that gives stability, discipline, and respect for every kind of labor. Step by step, I moved forward. Later I was offered a position in a well-known hotel chain in Scandinavia. I received Finnish citizenship within four years of living in the country. I graduated in hospitality and event management. I was rebuilding slowly — but I always felt that something inside me was still not fully unlocked.
Returning to the visual
I returned to visual storytelling. I trained in posing and fashion production — and I understood clearly: I can do this myself. Create shoots. Build teams. Work with photographers, designers, makeup artists. See a project as a whole — from idea and styling to the final publication. Later I studied fashion styling and visual concepts in an Italian school of fashion and style. In parallel, I began studying finance — because I want to not only create beauty, but also build sustainable projects and businesses.
The right people began to appear. Projects started forming naturally. Our shoots were published internationally across Europe, the US, and the UK. But the most important part is this: women were always around me — different ages, different bodies, different stories. They inspired me again and again.
The Issue is not a showcase.
It is a process. A continuation. A chapter you create.